Created in Brussels in 2015, Azmari is a twisting musical journey that fuses psychfunk, afrobeat, ethiojazz and dub.
With thousands of hours in the studio and numerous live shows across Belgium, Berlin and Istanbul, the 6-piece ensemble is pleased to announce the release of their debut EP entitled 'Ekera', released 25th May via groove-heavy record label SDBAN Ultra.
Recorded in a rented room in Brussels in just three days, 'Ekera', meaning 'the other world', is a deep hypnotic sound that blends asymmetrical rhythms with winding improvisations, sending the listener in to a higher state of consciousness. "We love to jam, we jam a lot and our music comes from that", says drummer and bandleader Arthur Ancion.
From the middle eastern sounds and devilish rhythms of 'Dolmus', a magnetic, free-jazz re-working of the Mulatu Astatke composition 'Emnete', to the energetic and spellbinding flood of roaring saxes on 'Mammouth', Azmari draw on influences including Temiz, Herbie Hancock, Cymande, The Heliocentrics, Fela Kuti, John Berberian, The Soul Jazz Orchestra and much more.
With a common love for African and oriental music, as well as funk and dub, the Azmari sound has developed in a short space of time – taking on new musical influences along their spiritual journey, including Arabic melodies and sounds.
Heavily influenced by the Ethiopiques, ten days performing in Istanbul opened the band's ears to the Turkish sounds and rhythms from the 1960s and infusing Turkish and Ethiopian scales, along with learning new instruments along the way including the berimbau, the ney and bağlama, the Azmari sound transformed into a rebellious, unrelenting and mesmerising experience.
There are only a few bands in Belgium that made me buy all their records, Black Flower is one of them. Their Ethio-inspired music is almost better then the real thing... Check those guys live if you have the opportunity!!! Mr Crumbone
Adventurous hybrid jazz at its best. I struggle to describe why this stands out above a crowd, but... It all sounds so precise. Every instrument fills its own space so that, as busy as it gets, it never feels crowded. It breathes easy while full of energy. In case I'm not making sense, this, in short, is brilliant. Added bonus that the vocal track doesn't stand out negatively as those too often do on otherwise instrumental albums. Heavy rotation, and the best jazz-related album of 2022. rvss.eel
An experience that proves to be both extraordinarily smooth with just as spritz of funky, the band perfectly captures the devil-may-care vibes of 1960's cinema scores. Fractal Sliver